Watercolour Brushes

The Series 78 brush head is formed to an acute angle which is perfect for "cutting" in effects. The Pure Sable ensures a great carrying capacity with an extremely fine edge for More Info >>

The Series 7320 is a flat, chisel shaped brush also known as a 'one stroke', simply because you can achieve your mark in one stroke - hence the More Info >>

    The Series 7350 Pure Sable Filbert will come to a beautiful point when wet enabling strokes from the point, side edge or flat side of the brush. Perfect for skies and More Info >>

A new range developed by Rosemary and C.W Mundy. These soft goat hair mop brushes are ideal for softening and blending in Oils. The oval shape of these brushes allows for more More Info >>

The Series 55 is a flat, chisel shaped brush which comes to a razor edge for long, controlled brush strokes. They are great for washes, skies and architectural More Info >>

The Series 60 Sword Liner is also called a 'liner' or 'sword'. They are fashioned at an angle and extruded to a slim point for lining, offering continuous flow due to a magnificent water holding More Info >>

The comber is also known as a 'Rake’.  They produce instant grasses, fur and feathers and are a nice addition to your More Info >>

The R16's are made from our Series 772's. The Series 772 dagger is very adaptable and can be used to create long flowing lines. When pressure is applied and the brush is 'twisted' through the stroke More Info >>

The thin, sharp edge of the Series 39 is perfect for thin, fine lines. When used on their side, they create a broad More Info >>

The Series 43 is a visibly short hair which makes this range soft and delicate. This range is handy for control in smaller areas where minimum paint distribution is More Info >>

A favourite for drawing, architrcture and illustration. They allow a tight stroke, whilst also carrying enough pigment to flow the paint for More Info >>

The Series 309 Swordliner's are a popular shape for even lines.  The swordliner shape is perhaps more versatile than a rigger (For example our Series 315's) when a steady hand is hard to More Info >>

The Series 311's are great for side loading and shading. They are perfect for intricate flower and petal work too. Folk art and barge painters adore this More Info >>

The Series 2230's quirky head shape allows a much more open, seperated stroke and is a much stronger in construction to the Series 2250 or Series 2240  as those ranges may clog up in Oils and More Info >>

Our comber brushes (sometimes called rakes) are popular with many artists for creating quick and easy lines, closely together. Although the 2240's are very made very similarly to our Series More Info >>

The Series 2250's work well in Watercolours, Oils, Acrylics, Water mixable Oils & gouache though they are most favoured by More Info >>

Our Series 32 is designed to simplify the art of painting trees and foliage; this special brush has just the right performance to deliver perfect tree foliage (also a good texture brush for shrubbery More Info >>

Our Series 303's are often referred to as a 'chisel' brush, with the longer length of head offering a firm stroke. This makes the Series 303's ideal for background washes, architecture and even More Info >>

The Series 310's head of the brush is formed at an acute angle offering easy control to cut in lines, make sweeping effects and go from finer the thicker strokes. You can draw very thin lines with More Info >>

The Series 236's work well in Watercolours, Oils, Acrylics, Water mixable Oils & gouache though they are most favoured by More Info >>

By popular demand the beauty of this shape allows a fine line (without the tremble sometimes associated with a rigger) and amazing effects when twisted side to More Info >>

The Series 721 are a Sable and Ox Ear Mix. They are used extensively by signwriters and yet popular with Watercolourists when a firm stroke is More Info >>

The Series 772 dagger is very adaptable and can be used to create long flowing lines. When pressure is applied and the brush is 'twisted' through the stroke you can see oriental grass appear as well More Info >>

The Red Dot Angulars are excellent for 'cutting-in' to your work. For Oil painters, this could be when a fine edge is required. For watercolourists, if may be to flood the paper and then bring it to More Info >>

The Red Dot Combers are excellent for hair, fur, grasses and smoothing out a sharp edge. A favourite for figurative oil painters on the longer handle, and watercolour landscape painters on the More Info >>

The head on the Series 314's are short and formed at an acute angle offering easy control. When they are loaded with two colours can create fabulous More Info >>

The Red Dot Daggers are excellent for thin fine lines, brush calligraphy and mark making, but wit the body of the brush for a broader More Info >>

The Red Dot One Stoke/Long Flats are excellent for covering large surfaces, whilst keeping a chiselled More Info >>

The Red Dot Sword Liners hold lots of liquid to draw a fine line when a steady hand is hard to More Info >>

Our Series 35 Deerfoot Stippler uses both soft and medium stiffness badger hair to enable a stipple effect, with a little goat hair to help hold the More Info >>

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