Oil Brushes

The Red Dot Long Pointed Filberts are excellent for botanical work, but not exclusively! This shape is a favourite for watercolourists, but we are confident lots of uses will be found with this More Info >>

The Pointed Round is a staple brush shape for any arsenal. We recommend a couple of sizes in this shape to ensure you've got an excellent drawing/signature brush amongst your More Info >>

The Red Dot Cats Tongue is a Short Filbert Shape. They are favoured by portrait and botanical painters More Info >>

The Red Dot Short Flats are perfect for short, sharp edge work. A favourite for architecture, landscapes and More Info >>

The Tisch Daggers are made from 100% Natural Bristle. They are scratchy and organic in their nature. This is the brush Andrew has designed, for an organic stroke. Should you wish for a sharper, More Info >>

Our range of extra long filberts offers the oil artist a naturally curved and interlocked top quality 'Chungking Bristle' More Info >>

The Series 2095 are a shorter round which allows for more precise strokes. Packed tightly in the ferrule, the belly of the brush is shorter and thus, so is the point, giving extra strength and More Info >>

Our Series 2045's are used by many Oil and Acrylic artists. This shape is typical of what the old masters would have used. The filbert allows a broad stroke without the harsh edge the flats may More Info >>

By request, we've designed a shorter filbert for more precision and control. When loaded up with paint they make really thick More Info >>

When too much paint has been distributed on the surface and then a fan brush has been used over the painted area, the fan brush can smear all the work and lower the intensity of the colors. This More Info >>

The longer hair results in a loose brush with less 'snap'. Once these are loaded up with paint you can make expressive, long sweeping marks without the need to reload. The leverage of the bristle More Info >>

The Series 2015 Short Flats allow a much sturdier brush with a stronger "snap" creating sharper edges and control than for example a synthetic brush. Ideal for blocking-in and impasto. The short More Info >>

Typically, the round brush in bristle would be used for drawing and blocking-in. Many of the Old Masters would have used this shape. Rounds are popular for landscapes, portraiture, still life and so More Info >>

The Series 2085 are a unique brush shape, which allows a looser more organic stroke. The length of this brush allows for precision, lines and flicks. Try one, it's a More Info >>

Variety of uses but particularly for 'cutting' colours in and out.  Beaver tail More Info >>

Fan brushes use a special ferrule which spreads the hairs to form a fan shape. Used for several effects including grasses, fur and often for blending. The drier the brush, the more 'splay' and More Info >>

The Series 2060 are placed on a beaver tail handle, making them extremely comfortable to More Info >>

The head on the Series 314's are short and formed at an acute angle offering easy control. When they are loaded with two colours can create fabulous More Info >>

The Eclipse Short Flats allow a much sturdier brush with a stronger "snap" creating sharper edges and control. Ideal for blocking in and More Info >>

The Eclipse is a synthetic mongoose which is stiffer than sable, yet softer than bristle. A shorter version of the flats for greater More Info >>

The Red Collection works beautifully in watercolour, oil, water-mixable oils, gouache & acrylic - infact all mediums. Ideal for artists, model painters and just about anyone look for a sable More Info >>

The Short Flats allow a much sturdier brush with a stronger "snap" creating sharper edges and control. Ideal for blocking in and More Info >>

This 'Longer' style of the Series 278's were designed and developed with the help of some of America's finest oil painters. The intention was clear. A brush that held a lot of paint, was soft to More Info >>

The Red Dot Daggers are excellent for thin fine lines, brush calligraphy and mark making, but wit the body of the brush for a broader More Info >>

The Red Dot Designers are slightly longer and thinner than the regular Pointed Rounds. They hold their point, carry a lot of pigment and have a great More Info >>

The Red Dot One Stoke/Long Flats are excellent for covering large surfaces, whilst keeping a chiselled More Info >>

The Red Dot Sword Liners hold lots of liquid to draw a fine line when a steady hand is hard to More Info >>

The Red Dot Riggers are excellent for thin, fine lines. The rigger is also known as a 'script' brush and allows for a continual flow of pigment or water, with that needle More Info >>

The Series 1582 has a long visible length of hair and a flat end, making this brush is ideal with Oils for softening or blending. More Info >>

The Smooshing Brush is made from a blend of different grades of badger More Info >>

The Series 34 is a fine mix of coarse yet soft badger hair for stippling and texture More Info >>

This brush is mainly used for blending paint into an even and smooth coat. Although, they can be used to create striations - a glass painters 'must More Info >>

A synthetic fibre to replicate Sable like never More Info >>

The Red Dot Micro brushes work beautifully in watercolour, oil & acrylic and infact all More Info >>

We did it! New for 2021! Finally, a synthetic fibre like no other. A synthetic fibre to replicate Sable like never before. With all the qualities of natural hair but 100% synthetic. This range is so More Info >>

This 24" handled brush is ideal for those standing back from the canvas and painting. Typically used for the initial drawing and observations. Ideal for oil More Info >>

The Ivory Range are 100% Synthetic and Vegan Friendly. They are great for Oils, Gouache, Acrylics and Watermixable More Info >>

The Ivory Short Flat on 24" handle is ideal for those standing back from the canvas and painting. Typically used for the initial drawing and observations. Ideal for oil More Info >>

The Ivory Filbert on 24" handle is ideal for those standing back from the canvas and painting. Typically used for the initial drawing and observations. Ideal for oil More Info >>

The Ivory Range are 100% Synthetic and Vegan Friendly. They are great for Oils, Gouache, Acrylics and Watermixable More Info >>