Oil Brushes

The Series 52 are perfect for blending and softening edges in oils and offer special effects in More Info >>

Another beautiful addition to our Kolinsky Sable range. Forms a precise tapered point for 'drawing' and flow whilst having the 'belly' in just the right place to carry liquid elegantly. The length of More Info >>

Designed and requested by you the artist.  For those who find a standard rigger difficult to control this offers and slightly shorter More Info >>

The Series 11 was created by talking to several professional artists who needed a brush with a tapered point and a flat More Info >>

A full bodied wide Pure Kolinsky coming to a fine point.  For broad strokes and yet perfect detail from the point.  The ultimate brush for washes and background.  The tip has such a More Info >>

Our Set 100 is perfect for Acrylic painters. Consisting of 8 of our most popular brush shapes and sizes from the Shiraz range, this synthetic set will be ideal for people starting out and More Info >>

As the name suggests, ideal for long lines and the 'rigging' on ships giving an even More Info >>

The Series 323 Spotters are a favourite amoungst botanical painters. The shorter tip and thicker belly of the brush creates beautiful petals, stems and More Info >>

The Ultimate Filbert is a favourite for portrait painters as it allows for a softer edge & stroke. That being said, they are used for landscapes, still lifes and such More Info >>

This set consists of 9 popular shapes and sizes from the Evergreen range. They are 100% synthetic and More Info >>

Our Series 230 is an extra fine detail brush, only available in the size 10/0 and on the short handle for balance More Info >>

The Series 309 Swordliner's are a popular shape for even lines.  The swordliner shape is perhaps more versatile than a rigger (For example our Series 315's) when a steady hand is hard to More Info >>

When this brush is wet with water it will 'spike' for brilliant grass effects, or for hair. If you worked this brush semi-dry it will create easy tree More Info >>

The Series 313 is our offering of a student quality synthetic range. They are on a black and white handle, which make them easy to identify amoungst your other More Info >>

The Series 312 are perfect for clouds, backgrounds washes and tree canopies. A favourite for landscapes, botanical and floral work and large washes, without a hard More Info >>

The Series 304 will help you loosen up your work, whilst retaining a beautiful tapered point. They have an excellent carrying capacity of both pigment and water, and are have much more spring than More Info >>

The Series 311's are great for side loading and shading. They are perfect for intricate flower and petal work too. Folk art and barge painters adore this More Info >>

The 222's are one of our most popular brushes for backgrounds, washes, varnishing, glaszing, decoupage and covering large surfaces. They have a superb chisel edge and in the words of our good friend More Info >>

As requested by artists to flow even further than the Series More Info >>

Designed by Paul Weaver. Although a large brush we have tapered this down to an extreme point. Capable of large washes yet, the fine point allows the most finest detail. Designed to be used with More Info >>

The Series 2230's quirky head shape allows a much more open, seperated stroke and is a much stronger in construction to the Series 2250 or Series 2240  as those ranges may clog up in Oils and More Info >>

Our comber brushes (sometimes called rakes) are popular with many artists for creating quick and easy lines, closely together. Although the 2240's are very made very similarly to our Series More Info >>

The Series 2250's work well in Watercolours, Oils, Acrylics, Water mixable Oils & gouache though they are most favoured by More Info >>

The Series 305 have a flat body which comes together in the centre to a point.  Excellent for foliage, petals and More Info >>

This is a Sable brush with unique properties which can be used a tool for painting winter and summer More Info >>

Our Series 32 is designed to simplify the art of painting trees and foliage; this special brush has just the right performance to deliver perfect tree foliage (also a good texture brush for shrubbery More Info >>

Our Ultimate range are made with interlocking bristles which offer the artists a traditional brush; but with double the More Info >>

Our Ultimate range are made with interlocking bristles which offer the artists a traditional brush; but with double the More Info >>

The Ultimates are a favourite for Oil painters. That being said in general it's worth knowing they are bushy in nature - and do splay out somewhat more than synthetics. They are a much rougher More Info >>

The Evergreen Angulars have a chiselled edge creating a great drawing tool with a difference from the More Info >>

"The Evergreen Daggers are flexible enough to give you a really wide vocabulary when it comes to brush calligraphy and mark making, but it also has the body to load the paint in the way you want - More Info >>

The Evergreen range are 100% Synthetic, Vegan More Info >>

The Evergreen range are 100% Synthetic, Vegan More Info >>

By popular request, we made the longer filberts for artists' who want a looser brush More Info >>

With it's soft round edges filberts are particularly effective for blending oil and popular with Figurative More Info >>

For the finest of lines, holding a great amount of paint and distributing it evening, with a point. The Evergreen riggers have a fantastic 'snap' which gives you control when More Info >>

The Evergreen range are 100% Synthetic, Vegan More Info >>

By popular request, we have made an Extra Long Flat in the Evergreens. This should allow you to keep paint further away from the ferrule and allow a great leverage with your brush More Info >>

The Evergreen Short Flat allows for a sharper and more precise edge than the Evergreen Long Flat, yet is a softer synthetic which makes a more delicate mark than an Ivory Short More Info >>

The Evergreen range are 100% Synthetic, Vegan More Info >>