Oil Brushes

The Series 301 work well in Watercolours, Oils, Acrylics, Water mixable Oils & gouache though they are most favoured by More Info >>

A square shaped head offering precise 'blocking' action; good for windows, walls, architecture and when a sharp edge is More Info >>

Our Series 303's are often referred to as a 'chisel' brush, with the longer length of head offering a firm stroke. This makes the Series 303's ideal for background washes, architecture and even More Info >>

The Series 310's head of the brush is formed at an acute angle offering easy control to cut in lines, make sweeping effects and go from finer the thicker strokes. You can draw very thin lines with More Info >>

The Series 307 are a spotter brush, which have a good 'stubby' point when short controlled strokes are More Info >>

The Series 344 are tapered to a fine point, which make them excellent for drawing, illustration, design & architecture and provide more flow than a standard round with the extended tip. We highly More Info >>

The Series 315's work well in Watercolours, Oils, Acrylics, Water mixable Oils & gouache though they are most favoured by More Info >>

The Series 318's have a specially shaped triangular ferrule allows the synthetic to form a good point. When pressed to the paper, this brush creates a stunning petal More Info >>

The Series 236's work well in Watercolours, Oils, Acrylics, Water mixable Oils & gouache though they are most favoured by More Info >>

The Series 314's work well in Watercolours, Oils, Acrylics, Water mixable Oils & gouache though they are most favoured by watercolourists and oil portraiture More Info >>

Flat square brush head with shorter length of hair from the ferrule, allowing control of shorter strokes, ideal for 'blocking' e.g. windows and bricks.  A good blender for oil More Info >>

The Eclipse Angulars are excellent when you need to cut in an edge. For example, petals and More Info >>

A wonderful brush for grasses, animal fur, feather details and to build up hair in human More Info >>

The new domed filberts are a welcome addition for portrait painters and figurative artists More Info >>

The Eclipse Extra Long Combers are ideal for the oil artist who likes a sharp edge and to build layers. These brushes taper to a fine line turned sideways. For those who loved the 'old' style More Info >>

Fan brushes use a special ferrule which spreads the hairs to form a fan shape. Used for several effects including grasses, fur and often for More Info >>

The Eclipse is a synthetic mongoose which is stiffer than sable, yet softer than More Info >>

This long filbert has extra length as requested, allowing more flexibility. It should also allow you to keep the paint away from the ferrule of the brush, which in theory should make it easier to More Info >>

The rigger shape is similar to a round but with much longer hair, also referred to as a "script" or "liner" More Info >>

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The larger rounds are brilliant for laying on colour whilst the smaller rounds are ideal for finer detail. They have a beautiful strong point for detail and drawing. They also make an excellent More Info >>

The oval end can be used to both make sweeping strokes but also fine lines when held More Info >>

The fan brush is great is made with a special ferrule which spread the hairs to form a fan shape. They are excellent for effects such as grasses, fur and more often than not, blending in More Info >>

The larger rounds are brilliant for laying on colour and broader marks and as they go smaller they are ideal for More Info >>

The Rigger brush (also known as a liner or script brush) is great for thin, fine lines. For example, tree branches, tufts of grass, hair and of course for drawing. The longer length of the hair gives More Info >>

The Angular brush is made to create a unique brush stroke. They allow you to "cut in" to your painting, and lay down a brush stroke freely, without pulling other pigments. The Series 275's are More Info >>

The Series 279's were designed and developed with the help of some of America's finest oil painters. The intention was clear. A brush that held a lot of paint, was soft to blend and knock back edges More Info >>

By popular demand the beauty of this shape allows a fine line (without the tremble sometimes associated with a rigger) and amazing effects when twisted side to More Info >>

The Short Filbert Series 276 are excellent for intricate detail, getting into corners and for a fuller stroke than a typical round More Info >>

The Series 771's are a hidden gem and very popular amoungst oils, watercolour, gouache and acrylic More Info >>

The Series 721 are a Sable and Ox Ear Mix. They are used extensively by signwriters and yet popular with Watercolourists when a firm stroke is More Info >>

The Series 772 dagger is very adaptable and can be used to create long flowing lines. When pressure is applied and the brush is 'twisted' through the stroke you can see oriental grass appear as well More Info >>

The Series 769 One Stroke allows you to do what it says! One stroke - loaded with pigment. The longer length of brush head offers a good amount of liquid retention, with a nice sharp More Info >>

The Series 768 Short Flats (also known as brights) allow a much sturdier brush with a stronger "snap" creating sharper edges and control. Ideal for "blocking-in" and More Info >>

This luxury wash brush works well for backgrounds and sharp edge work. The 1" is a firm favourite, though any size from the Series 767's are a treat! Please note beaver tail handle length: 1" - More Info >>

The Series 402 are tapered to a much longer and finer point allowing the artist to ‘draw’ with a brush. They are ideal for general watercolour work as well as botanical. The Red Sable Blends are More Info >>

The larger rounds are brilliant for laying on colour whilst the smaller rounds are ideal for finer More Info >>

The Red Dot Angulars are excellent for 'cutting-in' to your work. For Oil painters, this could be when a fine edge is required. For watercolourists, if may be to flood the paper and then bring it to More Info >>

The Red Dot Combers are excellent for hair, fur, grasses and smoothing out a sharp edge. A favourite for figurative oil painters on the longer handle, and watercolour landscape painters on the More Info >>

The Red Dot Fans are excellent for softening and blending edge work. Portraiture painters love them, as do More Info >>