Oil Brushes

The Masters Choice is an interesting hair with distinctive markings and a semi-stiff firmness of stroke, made from a blend of male & female badger hairs. The hair is responsive and firm, yet More Info >>

The Set 175 are 100% Synthetic and Vegan Friendly. This brush set is ideal for Oil and Acrylics and is a great way to try out the Evergreen More Info >>

The Evergreen Long Flat allows for a precise chiseled edge, yet is a softer synthetic which makes a more delicate mark than an Ivory Long More Info >>

The larger rounds are brilliant for laying on colour whilst the smaller rounds are ideal for finer details. They make excellent signature brushes More Info >>

The Shiraz Range are 100% synthetic and Vegan More Info >>

The Shiraz Short Flats allow a much sturdier brush with a stronger "snap" creating sharper edges and control. They are also ideal for blocking in and More Info >>

The longer hair results in a loose brush with little "snap". Designed for oil and acrylics, yet works very well with More Info >>

The rigger shape is similar to a round but with much longer hair, also referred to as a "script" or "liner" More Info >>

A long sought solution to those unintended watercolor brush marks resulting from too much enthusiasm, haste or More Info >>

The Shiraz daggers are excellent for unique brush strokes. When loaded with paint, they are fun to twist and turn to create texture and organic strokes. When used on their edge, they make a wonderful More Info >>

Shiraz is an extremely versatile brush for use with any More Info >>

With a soft rounded edge the short filbert is suitable for intricate figurative work and More Info >>

The Shiraz filberts are a versatile shape, allowing for broad strokes and softening edges. Particularly useful for blending in figurative work, however can make beautiful petal shapes and More Info >>

I’ve sampled brushes from all over the world and found Rosemary & Co to be the More Info >>

A range developed by Rosemary and C.W Mundy. These soft goat hair mop brushes are ideal for softening and blending in Oils. The oval shape of these brushes allows for more control. The More Info >>

The Series 141 is great for creating many unique marks and softening More Info >>

The Series 142 Domed Rounds are good for blending and stippling in oils and More Info >>

The Series 24's are a popular for backgrounds and More Info >>

The Tisch Daggers are made from 100% Natural Bristle hair. They are scratchy and organic in their nature. This is the brush Andrew has designed, for an organic stroke. Should you wish for a sharper, More Info >>

Rosemary & Co Hog Domed Round Series 3077 is an economical softer bristle which is flexible when More Info >>

The Series 308 Long flat bristles allow for a full stroke. The Hog Bristle Long Flats are a very economical range, ideal for use with all mediums and popular for backgrounds and More Info >>

The Series 3099's are a good all-rounder! They are excellent in any medium; oils, acylics, watercolours & gouache to name a More Info >>

A very economical brush range, ideal for use with all mediums and popular for backgrounds and blending. This special "duster" has longer bristles than an average blender for greater More Info >>

A very economical brush range, ideal for use with all mediums and popular for backgrounds and blending. The oval end can be used to both make sweeping strokes but also fine lines when held More Info >>

The Ivory Angular is ideal for "cutting" in and out lines and flooding areas, filling corners and curved strokes. Popular for Portraiture and Floral painting in Oils More Info >>

It seems a long time ago I created the 'Ivory' range of brushes. Artists wanted an oil brush that retained it's shape, had just enough spring and were easy to clean..... oh and they had to last! Fast More Info >>

This range of Rosemary & Co Impasto brushes will allow for the technique of laying on paint or pigment thickly so it will stand out from the surface. The Ivory synthetics are easy to clean, More Info >>

The Ivory is synthetic bristle at its best, a cross between the feel of nylon and hog bristle. The oval end can be used to both make sweeping strokes but also fine lines when held vertically. The More Info >>

Thank you to David Leffel who suggested this addition to our range and who honorably carried out trials. The extra length allows a greater flow and of course, holds more More Info >>

The Long Flats (also known as Flats) allow for a longer, looser stroke. They have a sharp edge and allow you to fully load your brush. They carry a lot of paint, and the longer length of hair should More Info >>

Ideal for blocking in and impasto. These larger sizes are beautiful for covering a large More Info >>

The Ivory Short Flats allow a much sturdier brush with a stronger "snap" creating sharper edges and control. Ideal for blocking in and More Info >>

The larger rounds are brilliant for laying on colour whilst the smaller rounds are ideal for finer detail. They also make an excellent signature More Info >>

I wanted a brush that has the feel of a flat for laying in swathes of paint, but with slightly tapered fibers for getting a softer edge, the way you would with a More Info >>

By popular request, we have added the Angular shape to our best selling oil "fibre" - the Ivory line. For those who paint big! Fashioned on a black lacquered, Beaver Tail More Info >>

The rigger shape is similar to a round but with much longer hair, also referred to as a "script" of "liner" More Info >>

The Egbert is a filbert with extra long hair, this is a more traditional brush used by the Old Masters, typically for oil More Info >>

The dagger shape is for when a tighter mark is required, very More Info >>

Sword Liners are for fine lines and to draw or sweep across. The sharp working edge and needle point allows a broad stroke with an intricate More Info >>

The fan brushes use a special ferrule which spreads the hairs to form a fan shape. They are used for several effects including grasses, fur and often for More Info >>