Acrylic Brushes

The points are sharp and tapered beautifully to hold just the right amount of liquid allowing for a full wash right down to a fine More Info >>

With it's soft round edges filberts are particularly effective for blending oil and popular with Figurative More Info >>

The Evergreen Short Flat allows for a sharper and more precise edge than the Evergreen Long Flat, yet is a softer synthetic which makes a more delicate mark than an Ivory Short More Info >>

The Evergreen range are 100% Synthetic, Vegan More Info >>

The Evergreen Long Flat allows for a precise chiseled edge, yet is a softer synthetic which makes a more delicate mark than an Ivory Long More Info >>

The larger rounds are brilliant for laying on colour whilst the smaller rounds are ideal for finer details. They make excellent signature brushes More Info >>

The Shiraz Short Flats allow a much sturdier brush with a stronger "snap" creating sharper edges and control. They are also ideal for blocking in and More Info >>

The longer hair results in a loose brush with little "snap". Designed for oil and acrylics, yet works very well with More Info >>

The Shiraz filberts are a versatile shape, allowing for broad strokes and softening edges. Particularly useful for blending in figurative work, however can make beautiful petal shapes and More Info >>

Rosemary & Co Hog Domed Round Series 3077 is an economical softer bristle which is flexible when More Info >>

The Series 308 Long flat bristles allow for a full stroke. The Hog Bristle Long Flats are a very economical range, ideal for use with all mediums and popular for backgrounds and More Info >>

A very economical brush range, ideal for use with all mediums and popular for backgrounds and blending. The oval end can be used to both make sweeping strokes but also fine lines when held More Info >>

The Ivory is synthetic bristle at its best, a cross between the feel of nylon and hog bristle. The oval end can be used to both make sweeping strokes but also fine lines when held vertically. The More Info >>

The Long Flats (also known as Flats) allow for a longer, looser stroke. They have a sharp edge and allow you to fully load your brush. They carry a lot of paint, and the longer length of hair should More Info >>

The Ivory Short Flats allow a much sturdier brush with a stronger "snap" creating sharper edges and control. Ideal for blocking in and More Info >>

The larger rounds are brilliant for laying on colour whilst the smaller rounds are ideal for finer detail. They also make an excellent signature More Info >>

The Series 301 work well in Watercolours, Oils, Acrylics, Water mixable Oils & gouache though they are most favoured by More Info >>

A square shaped head offering precise 'blocking' action; good for windows, walls, architecture and when a sharp edge is More Info >>

The new domed filberts are a welcome addition for portrait painters and figurative artists More Info >>

The Eclipse is a synthetic mongoose which is stiffer than sable, yet softer than More Info >>

The larger rounds are brilliant for laying on colour whilst the smaller rounds are ideal for finer detail. They have a beautiful strong point for detail and drawing. They also make an excellent More Info >>

The oval end can be used to both make sweeping strokes but also fine lines when held More Info >>

The Series 768 Short Flats (also known as brights) allow a much sturdier brush with a stronger "snap" creating sharper edges and control. Ideal for "blocking-in" and More Info >>

The larger rounds are brilliant for laying on colour whilst the smaller rounds are ideal for finer More Info >>

The Pointed Round is a staple brush shape for any arsenal. We recommend a couple of sizes in this shape to ensure you've got an excellent drawing/signature brush amongst your More Info >>

The Red Dot Cats Tongue is a Short Filbert Shape. They are favoured by portrait and botanical painters More Info >>

The Red Dot Short Flats are perfect for short, sharp edge work. A favourite for architecture, landscapes and More Info >>

Our Series 2045's are used by many Oil and Acrylic artists. This shape is typical of what the old masters would have used. The filbert allows a broad stroke without the harsh edge the flats may More Info >>

The longer hair results in a loose brush with less 'snap'. Once these are loaded up with paint you can make expressive, long sweeping marks without the need to reload. The leverage of the bristle More Info >>

The Series 2015 Short Flats allow a much sturdier brush with a stronger "snap" creating sharper edges and control than for example a synthetic brush. Ideal for blocking-in and impasto. The short More Info >>

Typically, the round brush in bristle would be used for drawing and blocking-in. Many of the Old Masters would have used this shape. Rounds are popular for landscapes, portraiture, still life and so More Info >>

Michael Klein is part of a group of American artists leading the revival of representational painting hearkrning back to the Renaissance and French Academic More Info >>

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