Acrylic Brushes

The points are sharp and tapered beautifully to hold just the right amount of liquid allowing for a full wash right down to a fine More Info >>

The Series 313 is our offering of a student quality synthetic range. They are on a black and white handle, which make them easy to identify amoungst your other More Info >>

The Series 304 will help you loosen up your work, whilst retaining a beautiful tapered point. They have an excellent carrying capacity of both pigment and water, and are have much more spring than More Info >>

The Series 305 have a flat body which comes together in the centre to a point.  Excellent for foliage, petals and More Info >>

The Evergreen range are 100% Synthetic, Vegan More Info >>

The Evergreen range are 100% Synthetic, Vegan More Info >>

By popular request, we made the longer filberts for artists' who want a looser brush More Info >>

With it's soft round edges filberts are particularly effective for blending oil and popular with Figurative More Info >>

For the finest of lines, holding a great amount of paint and distributing it evening, with a point. The Evergreen riggers have a fantastic 'snap' which gives you control when More Info >>

By popular request, we have made an Extra Long Flat in the Evergreens. This should allow you to keep paint further away from the ferrule and allow a great leverage with your brush More Info >>

The Evergreen Short Flat allows for a sharper and more precise edge than the Evergreen Long Flat, yet is a softer synthetic which makes a more delicate mark than an Ivory Short More Info >>

The Evergreen range are 100% Synthetic, Vegan More Info >>

The Evergreen Long Flat allows for a precise chiseled edge, yet is a softer synthetic which makes a more delicate mark than an Ivory Long More Info >>

The larger rounds are brilliant for laying on colour whilst the smaller rounds are ideal for finer details. They make excellent signature brushes More Info >>

The Shiraz Range are 100% synthetic and Vegan More Info >>

The Shiraz Short Flats allow a much sturdier brush with a stronger "snap" creating sharper edges and control. They are also ideal for blocking in and More Info >>

The longer hair results in a loose brush with little "snap". Designed for oil and acrylics, yet works very well with More Info >>

The rigger shape is similar to a round but with much longer hair, also referred to as a "script" or "liner" More Info >>

With a soft rounded edge the short filbert is suitable for intricate figurative work and More Info >>

The Shiraz filberts are a versatile shape, allowing for broad strokes and softening edges. Particularly useful for blending in figurative work, however can make beautiful petal shapes and More Info >>

Rosemary & Co Hog Domed Round Series 3077 is an economical softer bristle which is flexible when More Info >>

The Series 308 Long flat bristles allow for a full stroke. The Hog Bristle Long Flats are a very economical range, ideal for use with all mediums and popular for backgrounds and More Info >>

A very economical brush range, ideal for use with all mediums and popular for backgrounds and blending. The oval end can be used to both make sweeping strokes but also fine lines when held More Info >>

It seems a long time ago I created the 'Ivory' range of brushes. Artists wanted an oil brush that retained it's shape, had just enough spring and were easy to clean..... oh and they had to last! Fast More Info >>

The Ivory is synthetic bristle at its best, a cross between the feel of nylon and hog bristle. The oval end can be used to both make sweeping strokes but also fine lines when held vertically. The More Info >>

Thank you to David Leffel who suggested this addition to our range and who honorably carried out trials. The extra length allows a greater flow and of course, holds more More Info >>

The Long Flats (also known as Flats) allow for a longer, looser stroke. They have a sharp edge and allow you to fully load your brush. They carry a lot of paint, and the longer length of hair should More Info >>

The Ivory Short Flats allow a much sturdier brush with a stronger "snap" creating sharper edges and control. Ideal for blocking in and More Info >>

The larger rounds are brilliant for laying on colour whilst the smaller rounds are ideal for finer detail. They also make an excellent signature More Info >>

I wanted a brush that has the feel of a flat for laying in swathes of paint, but with slightly tapered fibers for getting a softer edge, the way you would with a More Info >>

The rigger shape is similar to a round but with much longer hair, also referred to as a "script" of "liner" More Info >>

The Egbert is a filbert with extra long hair, this is a more traditional brush used by the Old Masters, typically for oil More Info >>

The fan brushes use a special ferrule which spreads the hairs to form a fan shape. They are used for several effects including grasses, fur and often for More Info >>

The Series 301 work well in Watercolours, Oils, Acrylics, Water mixable Oils & gouache though they are most favoured by More Info >>

A square shaped head offering precise 'blocking' action; good for windows, walls, architecture and when a sharp edge is More Info >>

The Series 307 are a spotter brush, which have a good 'stubby' point when short controlled strokes are More Info >>

The Series 344 are tapered to a fine point, which make them excellent for drawing, illustration, design & architecture and provide more flow than a standard round with the extended tip. We highly More Info >>

The Series 315's work well in Watercolours, Oils, Acrylics, Water mixable Oils & gouache though they are most favoured by More Info >>

The Series 318's have a specially shaped triangular ferrule allows the synthetic to form a good point. When pressed to the paper, this brush creates a stunning petal More Info >>

The Series 314's work well in Watercolours, Oils, Acrylics, Water mixable Oils & gouache though they are most favoured by watercolourists and oil portraiture More Info >>