Acrylic Brushes

The Series 312 are perfect for clouds, backgrounds washes and tree canopies. A favourite for landscapes, botanical and floral work and large washes, without a hard More Info >>

The Series 2230's quirky head shape allows a much more open, seperated stroke and is a much stronger in construction to the Series 2250 or Series 2240  as those ranges may clog up in Oils and More Info >>

Our comber brushes (sometimes called rakes) are popular with many artists for creating quick and easy lines, closely together. Although the 2240's are very made very similarly to our Series More Info >>

The Series 2250's work well in Watercolours, Oils, Acrylics, Water mixable Oils & gouache though they are most favoured by More Info >>

The Evergreen Angulars have a chiselled edge creating a great drawing tool with a difference from the More Info >>

The Ivory Angular is ideal for "cutting" in and out lines and flooding areas, filling corners and curved strokes. Popular for Portraiture and Floral painting in Oils More Info >>

The dagger shape is for when a tighter mark is required, very More Info >>

Our Series 303's are often referred to as a 'chisel' brush, with the longer length of head offering a firm stroke. This makes the Series 303's ideal for background washes, architecture and even More Info >>

The Series 310's head of the brush is formed at an acute angle offering easy control to cut in lines, make sweeping effects and go from finer the thicker strokes. You can draw very thin lines with More Info >>

The Eclipse Angulars are excellent when you need to cut in an edge. For example, petals and More Info >>

A wonderful brush for grasses, animal fur, feather details and to build up hair in human More Info >>

The Eclipse Extra Long Combers are ideal for the oil artist who likes a sharp edge and to build layers. These brushes taper to a fine line turned sideways. For those who loved the 'old' style More Info >>

The Series 721 are a Sable and Ox Ear Mix. They are used extensively by signwriters and yet popular with Watercolourists when a firm stroke is More Info >>

The Series 772 dagger is very adaptable and can be used to create long flowing lines. When pressure is applied and the brush is 'twisted' through the stroke you can see oriental grass appear as well More Info >>

The Series 769 One Stroke allows you to do what it says! One stroke - loaded with pigment. The longer length of brush head offers a good amount of liquid retention, with a nice sharp More Info >>

The Red Dot Angulars are excellent for 'cutting-in' to your work. For Oil painters, this could be when a fine edge is required. For watercolourists, if may be to flood the paper and then bring it to More Info >>

The Red Dot Combers are excellent for hair, fur, grasses and smoothing out a sharp edge. A favourite for figurative oil painters on the longer handle, and watercolour landscape painters on the More Info >>

The Red Dot Long Pointed Filberts are excellent for botanical work, but not exclusively! This shape is a favourite for watercolourists, but we are confident lots of uses will be found with this More Info >>

The Tisch Daggers are made from 100% Natural Bristle. They are scratchy and organic in their nature. This is the brush Andrew has designed, for an organic stroke. Should you wish for a sharper, More Info >>

The head on the Series 314's are short and formed at an acute angle offering easy control. When they are loaded with two colours can create fabulous More Info >>

The Red Dot One Stoke/Long Flats are excellent for covering large surfaces, whilst keeping a chiselled More Info >>

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