Acrylic Brushes

This long filbert has extra length as requested, allowing more flexibility. It should also allow you to keep the paint away from the ferrule of the brush, which in theory should make it easier to More Info >>

The rigger shape is similar to a round but with much longer hair, also referred to as a "script" or "liner" More Info >>

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The larger rounds are brilliant for laying on colour whilst the smaller rounds are ideal for finer detail. They have a beautiful strong point for detail and drawing. They also make an excellent More Info >>

The oval end can be used to both make sweeping strokes but also fine lines when held More Info >>

By popular demand the beauty of this shape allows a fine line (without the tremble sometimes associated with a rigger) and amazing effects when twisted side to More Info >>

The Series 771's are a hidden gem and very popular amoungst oils, watercolour, gouache and acrylic More Info >>

The Series 721 are a Sable and Ox Ear Mix. They are used extensively by signwriters and yet popular with Watercolourists when a firm stroke is More Info >>

The Series 772 dagger is very adaptable and can be used to create long flowing lines. When pressure is applied and the brush is 'twisted' through the stroke you can see oriental grass appear as well More Info >>

The Series 769 One Stroke allows you to do what it says! One stroke - loaded with pigment. The longer length of brush head offers a good amount of liquid retention, with a nice sharp More Info >>

The Series 768 Short Flats (also known as brights) allow a much sturdier brush with a stronger "snap" creating sharper edges and control. Ideal for "blocking-in" and More Info >>

This luxury wash brush works well for backgrounds and sharp edge work. The 1" is a firm favourite, though any size from the Series 767's are a treat! Please note beaver tail handle length: 1" - More Info >>

The Series 402 are tapered to a much longer and finer point allowing the artist to ‘draw’ with a brush. They are ideal for general watercolour work as well as botanical. The Red Sable Blends are More Info >>

The larger rounds are brilliant for laying on colour whilst the smaller rounds are ideal for finer More Info >>

The Red Dot Angulars are excellent for 'cutting-in' to your work. For Oil painters, this could be when a fine edge is required. For watercolourists, if may be to flood the paper and then bring it to More Info >>

The Red Dot Combers are excellent for hair, fur, grasses and smoothing out a sharp edge. A favourite for figurative oil painters on the longer handle, and watercolour landscape painters on the More Info >>

The Red Dot Fans are excellent for softening and blending edge work. Portraiture painters love them, as do More Info >>

The Red Dot Long Pointed Filberts are excellent for botanical work, but not exclusively! This shape is a favourite for watercolourists, but we are confident lots of uses will be found with this More Info >>

The Pointed Round is a staple brush shape for any arsenal. We recommend a couple of sizes in this shape to ensure you've got an excellent drawing/signature brush amongst your More Info >>

The Red Dot Cats Tongue is a Short Filbert Shape. They are favoured by portrait and botanical painters More Info >>

The Red Dot Short Flats are perfect for short, sharp edge work. A favourite for architecture, landscapes and More Info >>

The Tisch Daggers are made from 100% Natural Bristle. They are scratchy and organic in their nature. This is the brush Andrew has designed, for an organic stroke. Should you wish for a sharper, More Info >>

Our range of extra long filberts offers the oil artist a naturally curved and interlocked top quality 'Chungking Bristle' More Info >>

The Series 2095 are a shorter round which allows for more precise strokes. Packed tightly in the ferrule, the belly of the brush is shorter and thus, so is the point, giving extra strength and More Info >>

Our Series 2045's are used by many Oil and Acrylic artists. This shape is typical of what the old masters would have used. The filbert allows a broad stroke without the harsh edge the flats may More Info >>

By request, we've designed a shorter filbert for more precision and control. When loaded up with paint they make really thick More Info >>

When too much paint has been distributed on the surface and then a fan brush has been used over the painted area, the fan brush can smear all the work and lower the intensity of the colors. This More Info >>

The longer hair results in a loose brush with less 'snap'. Once these are loaded up with paint you can make expressive, long sweeping marks without the need to reload. The leverage of the bristle More Info >>

The Series 2015 Short Flats allow a much sturdier brush with a stronger "snap" creating sharper edges and control than for example a synthetic brush. Ideal for blocking-in and impasto. The short More Info >>

Typically, the round brush in bristle would be used for drawing and blocking-in. Many of the Old Masters would have used this shape. Rounds are popular for landscapes, portraiture, still life and so More Info >>

The Series 2085 are a unique brush shape, which allows a looser more organic stroke. The length of this brush allows for precision, lines and flicks. Try one, it's a More Info >>

Variety of uses but particularly for 'cutting' colours in and out.  Beaver tail More Info >>

Fan brushes use a special ferrule which spreads the hairs to form a fan shape. Used for several effects including grasses, fur and often for blending. The drier the brush, the more 'splay' and More Info >>

The Series 2060 are placed on a beaver tail handle, making them extremely comfortable to More Info >>

The head on the Series 314's are short and formed at an acute angle offering easy control. When they are loaded with two colours can create fabulous More Info >>

The Eclipse Short Flats allow a much sturdier brush with a stronger "snap" creating sharper edges and control. Ideal for blocking in and More Info >>

The Eclipse is a synthetic mongoose which is stiffer than sable, yet softer than bristle. A shorter version of the flats for greater More Info >>

The Red Collection works beautifully in watercolour, oil, water-mixable oils, gouache & acrylic - infact all mediums. Ideal for artists, model painters and just about anyone look for a sable More Info >>

The Red Dot Designers are slightly longer and thinner than the regular Pointed Rounds. They hold their point, carry a lot of pigment and have a great More Info >>

The Red Dot One Stoke/Long Flats are excellent for covering large surfaces, whilst keeping a chiselled More Info >>